![]() Idomeneo Synopsis - The Story of Mozart's Opera, Idomeneo. Composer: Wolfgang Amadeus Mozart. Premiered: January 2. Cuvilli. In an attempt to gain her love, Prince Idamante orders the freeing of the Trojan prisoners. Sadly, Ilia coldly rejects his goodwill. He argues that it is not his fault their fathers were at war with one another. Though really, her anger stems from jealousy of Ilia. Suddenly, the king's confidant, Arbace, bursts into the room with news that King Idomeneo has been lost at sea. Instantly, Elettra is worried that Ilia, a Trojan, will soon be Queen of Crete due to Idamante's love of her. Meanwhile, King Idomeneo's life has been spared thanks to the intervening of the god, Neptune. Having been washed to shore on a beach on Crete, King Idomeneo recalls the deal he made with Neptune. Should his life be saved, Idomeneo must kill the first living creature he meets and offer it as a sacrifice to Neptune. Just then, Idamante stumbles across the man. ![]() ![]() Idamante hasn't seen his father since he was a small child, so neither of them are quick to recognize each other. When Idomeneo finally makes the connection, he tells Idamante to leave without ever seeking him again. Upset at what appears to be his father's rejection, Idamante runs away. The men aboard Idomeneo's ship are happy to be alive. As their wives meet them on the beach, they praise Neptune. Idomeneo, ACT 2. King Idomeneo returns to his palace and speaks with Arbace for advice. After describing his circumstances, Arbace tells him that it would be possible to substitute Idamante's sacrifice for another should Idamante be sent into exile. Idomeneo thinks it over and orders his son to escort Elettra back to her home in Greece. Later, Ilia meets with King Idomeneo and is moved by his kindness. She tells him that since she has lost everything in her homeland, she will make a new life for herself with King Idomeneo as her father and Crete will be her new home. When King Idomeneo thinks of his past decisions, he realizes that Ilia will never be happy, especially now that he has sent Prince Idamante away in exile. He is tormented by his foolish deal with Neptune. Meanwhile, on the ship nearly ready to depart for Argos, Elettra confesses her love for Idamante and her hope of starting a new life with him. Before their ship departs at the port of Sidon, Idomeneo arrives to say goodbye to his son. ![]() He tells him he must learn how to rule while away in exile. As the ship's crew begins to prepare for departure, the sky turns black and a frightening storm unleashes its great power. Amongst the waves, a large serpent approaches the king. Idomeneo knows the serpent as Neptune's messenger and offers his own life to the god, admitting his fault for breaking their deal. Idomeneo, ACT 3. Ilia strolls through the palatial gardens, and thinking of Idamante, whispers to the gentle breeze to carry her thoughts of love to him. Just then, Idamante arrives with news that a great serpent of the sea is destroying the villages along the coast. After telling her he must fight it, he says he'd rather die than to experience the suffering of having his love never reciprocated. Without hesitation, Ilia finally confesses that she has loved him for quite some time. Before the young lovers can comprehend this special moment, they are interrupted by King Idomeneo and Princess Elettra. Idamante asks his father why he must be sent away, but King Idomeneo does not reveal his true reasons. The king, again, sternly sends his son away. After the Trojan King Priam's defeat, his daughter Ilia was captured and taken back to Crete. While being held captive, Ilia fell in love with King Idomeneo's son, Prince Idamante, but she hesitates to bring her secret into light. In an attempt to gain her love, Prince Idamante orders the freeing of. Idomeneo is an opera seria with music by Wolfgang Amadeus Mozart. The libretto (words) are in Italian and were written by Giambattista Varesco. He based it on a French text by Antoine Danchet. In 1780 Mozart and Varesco were asked by the Elector of Bavaria to write an opera for a court. Idomeneo is Mozart’s first operatic masterpiece, and the most epic and symphonic of all his opera scores. Blessed with access to the Mannheim Orchestra (the finest ensemble in Germany), Mozart created a revolutionary work that charted a path forward for his. ACT II Arbace, Idomeneo’s counsellor, says that if Idamante went into exile immediately, they could find a substitute to sacrifice. Idomeneo orders his son to escort Elettra home to Greece. Ilia declares that since she has lost everything, he will be her father and. Ilia seeks consolation from Elettra, but Elettra's heart is brewing with jealousy and revenge. Arbace enters the garden and tells King Idomeneo that the High Priest of Neptune and his followers demand to speak with him. When confronted by the High Priest, King Idomeneo must confess the name of the person who must be sacrificed. The High Priest reminds King Idomeneo that the serpent will continue to devour the land until the sacrifice has been made. Reluctantly, he tells the Priest and the followers that the sacrifice is his own son, Idamante. IDOMENEO Dramma per musica in three acts, K. 366 Libretto Giambattista Varesco (after the libretto by Antoine Danchet for the trag Mozart: Idomeneo, Re Di Creta K. 366 by Coro Rai Di Roma, Peter Maag & Orchestra Sinfonica Rai Di Roma and tens of millions of other songs on all your devices with Amazon Music Unlimited. Exclusive discount for Prime members. Idomeneo 2 / 5 stars Coliseum, London Too many extras . Photograph: Tristram Kenton for the Guardian Tim Ashley Monday 21 June 2010 17.16 EDT Share on Facebook Share on Twitter Share via Email Share on LinkedIn Share on Google+ A. When Idamante's name leaves the mouth of the king, everyone is shocked. The King, High Priest, and more of Neptune's priests gather at the temple to pray for Neptune's appeasing. As they pray, Arbace, the faithful deliverer of news, arrives to announce Idamante's victory for defeating the serpent. Now plagued with worry, King Idomeneo wonders how Neptune will react. Moments later, Idamante arrives dressed in sacrificial gowns, and explains to his father that he now understands. Ready to die, he tells his father goodbye. Just as Idomeneo is about to take the life of his son, Ilia rushes in shouting that she will offer her own life in place of Idamante's. Coming from no specific source, Neptune's voice is heard. He is pleased with Idamante's and Ilia's devotion. He orders that the young lovers be appointed the new rulers of Crete. With such a wonderful turn of events, the people let out a sigh of relief, except for Elettra, who now wishes for her own death. King Idomeneo ushers Idamante and Ilia to the throne and presents them as husband and wife. They call upon the god of love to bless their union and bring peace to the land. MOZART - IDOMENEO 1. It- Eng. Stagione 2. Teatro alla Scala: con questo allestimento dell'Idomeneo, Daniel Harding debutta sul podio milanese, dopo 1. Riccardo Muti. Ridotto l'organico strumentale, Harding d. Harding non fa altro che eliminare o ridurre i residui antiquati: danze, recitativi secchi e arie di maniera. Personalmente ho trovato questa esecuzione magnifica (!) e l'ho arricchita di sottotitoli in inglese per farla conoscere ad un pi. Attualmente l'alternativa coi sottotitoli in inglese, qui in rete, mi pare sia solo l'esecuzione del 1. Metropolitan: interessante il confronto! Un'ultima annotazione: questo allestimento fu ripreso dalla Scala nel 2. Myung- Whun Chung, agli antipodi rispetto a quella di Harding (che io preferisco). Bravissima Monica Bacelli nel ruolo di Idamante! Alla chiamata alla ribalta (2: 3. Season 2. 00. 5/2. Wolfgang Amadeus Mozart's birth): with this performance of Idomeneo, Daniel Harding debuts on the Milanese rostrum, after 1. Riccardo Muti. But this was an opera that undewent a ruthless revising and cutting by his own author, right up until a last- minute surgery, in order to achieve the maximum dramatic pacing and verisimilitude: Mozart had immense difficulty in balancing the conflicting claims of naturlness, brevity and dramatic flow and an overlong libretto. Currently the only alternative with English subtitles, in the Tube, maybe that at Metropolitan of 1. Interesting the comparison! One final note: this production was performed again at La Scala in 2. Myung- Whun Chung, completely at odds with Harding.
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